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Nick Reynolds and his crew around a stone fire pit at night with six lanterns burning behind them
No. 16Roads of Delco

Six Lights

Six lights, one house

Issue No. 16 · Roads of Delco

Six Lights

Six lanterns. One man who keeps trying to carry all of them.

Six guardian lanterns appear around the fire pit, one for each of Nick's children, and they will not be moved by him. Arc Two closes with a father learning that protection is a thing you distribute, not a thing you hoard.

3 min read12 panelsPublished 2026-03-23

Featuring Nick Reynolds, Spark, Vance, Tiny.

Panel 1 of 12 · 3 min read

  1. Panel 01

    They Were Just There

    The backyard at dusk. Six iron lanterns standing in a wide ring around the fire pit, unlit.

    Nobody carried them in. They were in the grass on a Tuesday, cold, spaced with a surveyor's precision, and each one exactly as tall as one of his kids.

  2. Panel 02

    Won't Light

    Nick with a hand on a lantern's glass, straining, ember running his arm and dying at the metal.

    He gave the first one everything he had left after the tunnel run. It took the heat, held it politely for a second, and handed it back.

  3. Panel 03

    Wrong Hands

    Spark tries. Then Vance. Then Tiny. Each lantern stays dark under an adult hand.

    Three grown men with three different kinds of fire in them, and six lanterns that would not take a spark from any of them. The lanterns were not broken. They were addressed to somebody else.

    • Vance: It's not us.
    • Spark: It was never going to be us.
  4. Panel 04

    The Obvious Answer

    Six kids in the kitchen window, watching the yard, none of them called outside yet.

    He had known the answer for two hours and had spent both of them looking for a different one. There is a specific kind of stubbornness that looks exactly like love from the outside.

  5. Panel 05

    What He's Afraid Of

    Nick alone by the dead pit, hands on his knees, six dark lanterns around him.

    Every job he had ever taken, he took so nobody else would have to. Handing a light to one of his own kids was not protection failing. It was protection changing shape, and he had no experience with that at all.

  6. Panel 06

    His Wife, Plainly

    The back door open, warm light behind her, arms folded.

    She had watched him carry it since the pit first woke, and she had let him, because he needed to find the edge of it himself. Standing in that doorway, she decided he had found it.

    • Her: You're going to make them watch you do it alone forever?
    • Nick: That was the plan.
    • Her: It was never a good one.
  7. Panel 07

    Escalation

    Beyond the fence line, the dark thickens — the shape of something patient standing in the treeline.

    Whatever the lanterns were for was already at the property line and in no hurry. Six unlit lights and a father out of heat is not a defense, and both sides of the fence knew it.

  8. Panel 08

    The Door Opens

    Six kids coming out into the yard in coats and sneakers, oldest first, youngest holding her hand.

    They came out without being convinced, which is its own quiet indictment of how long he had waited to ask.

  9. Panel 09

    Climax

    Six small hands on six lanterns. Every wick catches at once, gold light flooding the yard.

    They lit on contact. Not ember orange — gold, steady, the color of a hallway light left on for somebody who is still out. The treeline emptied without a sound and did not fill back in.

  10. Panel 10

    The Ring

    Wide shot: six lit lanterns, the crew standing behind the kids, the fire pit catching on its own in the middle.

    With all six burning, the pit relit itself for the first time in nine days. Nick felt his own heat come back in the same instant, which told him something he did not enjoy learning: it had never been only his.

  11. Panel 11

    The Rule

    Nick crouched at eye level with his youngest, hand on the lantern between them.

    He got down to her height, which he does for the important things, and made it as small and as plain as he could — because the instructions you give a child are the only ones you can never dress up.

    • Nick: You don't fight anything. You just keep it lit.
    • His youngest: That's the whole job?
    • Nick: That's the hardest job there is.
  12. Panel 12

    Arc Two Ends

    Late night. Six lanterns burning in the grass, the house dark, one silver coin resting on the fence rail.

    The lanterns were still burning at four in the morning. So was the coin somebody had left balanced on the fence rail — a receipt, an invitation, a next chapter. Arc Two ends with a man who finally stopped carrying it all, and a vault door somewhere that has just started to open.

The Folklore of Nick Reynolds is a work of fiction set in a heightened, fictionalized world. Antagonists, supernatural events, organizations and story conflicts are fictional.

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